unmediated

Washington Post sells access, $25,000+ - Mike Allen - POLITICO.com

For $25,000 to $250,000, The Washington Post is offering lobbyists and association executives off-the-record, nonconfrontational access to “those powerful few” — Obama administration officials, members of Congress, and the paper’s own reporters and editors.

The astonishing offer is detailed in a flier circulated Wednesday to a health care lobbyist, who provided it to a reporter because the lobbyist said he feels it’s a conflict for the paper to charge for access to, as the flier says, its “health care reporting and editorial staff.”

The offer — which essentially turns a news organization into a facilitator for private lobbyist-official encounters — is a new sign of the lengths to which news organizations will go to find revenue at a time when most newspapers are struggling for survival.

And it’s a turn of the times that a lobbyist is scolding The Washington Post for its ethical practices.

How to verify a tweet | Twitter Journalism

Twitter is the great equalizer. It doesn’t matter if you have 100 followers or 10,000, you can break news. That’s because all tweets are recorded and indexed at search.twitter.com. If someone types the right keyword(s), they can find your tweet.

Breaking Tweets prides itself on giving many different types of Twitterers credit for breaking news, whether it be someone in Honduras with a dozen followers recording the first “earthquake” tweet or a news organization providing the first details of a major story.

But how do you know a tweet’s legitimate?

Here’s some methods I use at Breaking Tweets that you can try too…

if:book: Trying to think a bit outside the box or at least change my conception of the box

There’s endless talk these days about ebook readers, Kindle and all its e-ink cousins, and future tablets from Apple and other phone makers. There’s nothing wrong with the fact that these devices are all designed to emulate the experience of reading printed material, but this is a starting point not the end point. The forms are going to evolve in ways we can’t imagine and they may not be best served by 2-D paper emulators.

Reading this description of new functionality in Microsoft’s XBox, I started wondering whether as game box evolves into an all-purpose “entertainment hub” which is thoroughly integrated into major social networks, whether it might extend it’s reach to host new forms of (social) reading. if a “book is a place” perhaps one strand of the near future will be to explore that space with a joystick. I hadn’t thought about it before, but perhaps the interview of me in This Spartan Life is a thought experiment in this direction. It would be interesting to re-imagine The Golden Notebook project which proved the viability of an asynchronous reading group as taking place inside of a virtual space where sometimes you would really be “with” other readers and sometimes on your own.

The article that kicked off this little reverie is from this morning’s MIT Technology Review is about a new camera/controller for Microsoft’s X-Box. The sentences that caught my attention:

Microsoft also debuted 10 exclusive new games and the ability to access social networking sites Facebook and Twitter as well as streaming music service Last.fm on the Xbox Live service. The popular social networking sites Facebook and Twitter will be fully integrated into Xbox Live beginning this fall. There were several announcements about the Xbox 360’s video capabilities including increased functionality with the online Netflix service, 1080p high-definition video downloads, live TV in the United Kingdom and the ability to watch movies online with friends.

Half of All Friends Replaced Every 7 Years | LiveScience

You may have more Facebook friends as the years go by, but when it comes to your close friends, you lose about half and replace them with new ones after about seven years, new social research suggests.

As a result, the size of your social network stays about the same.

People might like to think they have control over whom they choose as friends, but social networks could also be influenced by the context in which we meet one another. Sociologist Gerald Mollenhorst of Utrecht University in the Netherlands was interested in finding out exactly how much our networks are shaped by social context or by personal preference.

He conducted a survey of 1,007 people ages 18 to 65, and then contacted the participants seven years later. From the original group, 604 people were re-interviewed. The survey contained questions such as: Who do you talk with, regarding personal issues? Who helps you with DIY in your home? Who do you pop by to see? Where did you get to know that person? And where do you meet that person now?

The results showed that personal network sizes remained stable, but that many members of the network were new. About 30 percent of discussion partners and practical helpers had the same position in a typical subject’s network seven years later. And only 48 percent were still part of the network. This finding goes against previous research which had showed that social network sizes are shrinking.

Hollywood hits the stop button on high-profile Web video efforts - Los Angeles Times

The calculus was elementary: If amateur Web stars like “Fred,” the high-pitched persona of Nebraska teenager Lucas Cruikshank, can create the most popular channel on YouTube, imagine what Hollywood could do with its stars, budgets and marketing muscle.

Conceived with great fanfare, big media’s attempt over the last two years to capitalize on the Internet video phenomenon embodied by YouTube and “Saturday Night Live” digital shorts has fallen victim to recession-triggered cuts and inflated expectations about the advertising revenue they would command.

Unlike other media, where larger numbers of viewers lead to higher advertising revenue, high-volume trafficon the Web hasn’t necessarily translated into big money. Advertisers in short-form Internet video pay about $10 to reach every 1,000 viewers, so even a video that gets watched more than 1 million times — a big hit by Web standards — might not generate more than $10,000. Three- to five-minute-long “Webisodes” cost $5,000 to $25,000 to produce.

“It’s very similar to what happened in ‘99 and 2000, where everyone saw gold in the hills,” said Mika Salmi, the former head of digital media for MTV Networks and now a technology venture capitalist, in reference to the first dot-com boom. “The reality is that it’s much harder to make money than everyone thought.”